The listening console. Play the catalog.
Pick an instrument, pick a source, slide from dry to wet. One player, the whole catalog.
No layering, no post. Effect takes are the same raw capture, dry against processed; instrument takes are single captures, played straight.
Every take, dry and processed.
The complete A/B set, every wet variant and extra source. The console above plays one representative wet per source.
Foxfire
Kuramoto synchronizationCoupled oscillators drift toward each other and lock when coupling crosses a critical threshold. Wet takes step the coupling and modulation depth so you can hear the lock emerge.
Downward chord progression, dry.
Dry piano phrase.
Dry piano phrase.
Dry mix.
A few more sources captured under a single setting. No dry pair, just the plugin doing what it does.
Autocatalysis
Logistic resonator banksSixteen Bark-spaced bands grow logistically against a shared capacity, competing for energy. Wet takes step threshold, focus, and decay so you can hear the bands take turns.
Dry mix.
Dry mix.
Dry mix.
Dry mix.
Dry mix.
Modulated saw lead, dry.
Dry piano phrase.
Dry piano phrase.
Dry mix.
Soliton
Dispersion-balanced delayTime, sustain, focus, and spread shape recirculating repeats that resist smearing. Wet takes step the parameter set so you can hear the soliton hold its shape.
Dry mix.
Dry mix.
Dry bassline.
Dry saw lead.
Dry arpeggio.
Dry piano phrase.
Dry piano phrase.
Dry piano phrase.
Dry mix.
Geodesic
Gravitational time dilationDelay taps sit at different depths in a simulated gravity well; taps nearer the horizon redshift and stretch in time. Wet takes step well depth so you can hear a signal fall toward the horizon.
Dry analog line.
Dry chord pad.
Dry drum loop.
Dry breakbeat.
Dry arpeggio.
Dry saw lead.
Dry pluck.
Arrhenius
Reaction-kinetics densityA per-band gate opens according to a reaction-rate probability set by temperature; cooler settings let only the most energetic transients through. Wet takes step temperature so you can hear the loop thin and rebuild.
Dry bassline.
Dry drum loop.
Dry breakbeat.
Dry saw lead.
Anderson Freeze
Anderson localizationDisorder pins spectral energy into localized standing modes instead of letting it propagate; enough disorder freezes the spectrum in place. Wet takes step disorder so you can hear propagation give way to a held freeze.
Dry analog line.
Dry arpeggio.
Dry pluck.
Anneal
Glass transitionEach voice carries a thermal history: cooled slowly it settles onto the crystal, cooled fast it freezes in as glass at the same knob position. These are instrument sweeps captured directly, no dry pair.
Tilt sweeps — a fixed-velocity downsweep on the Tilt control, one clip per oscillator.
Full sweeps — Temp, Stress, Jitter, and velocity swept together.